(this text was originally published in Polish 18th June 2024)
I had the opportunity to see the film entitled „There’s still tomorrow” as part of a review of new Italian cinema in Poland – Cinema Italia Oggi 2024. My personal „schedule” only allowed me to see one film during the week-long celebration of Italian cinema and my choice fell on the production directed by Paola Cortelessi. Once again, my „film intuition” did not let me down!
This black-and-white film tells the story of Delia (played by director Paola Cortelessi herself) and her loved ones after the Second World War. However, at times this film feels more contemporary than those treating contemporary times. Because it shows the situation of women who are beaten and humiliated by their husbands and do not have the power and/or ability to change it. And although the film is set in Italy, the protagonist of „There’s still tomorrow” could live in any country. Delia, like many women in her situation, instead of leaving her cruel husband, feels responsible for her children and for their better life she is prepared to stand really a lot. During the screening of the film, I was keeping my fingers crossed that she escapes and starts a better life. Despite the very heavy theme of violence against women, the heroine’s tragedy is intertwined with humour. Although it is definitely black humour, laughter through tears. The film is beautifully shot, moreover the music is well suited and highlights the key moments. Additionally, very natural acting, melodious Italian language and a surprising ending that had me in tears.
This is not a film just about women and for women. It is for anyone who enjoys cinema and will allow themselves to be drawn into the story on screen.